We are being desecrated, our creativity pillaged by the Indian sitcom and movies. Media plays such an important role in moulding a society that it could procreate a Yudhisthir out of every Duryodhana; instead we have a media that is hell bent on creating millions of Romeo and Juliette….pardon me Raj and Simran! We claim to have the biggest movie industry in the world in terms of churning out movies. 99% of those are crappy love stories. Every time the boom is thrust onto a newbie’s face; you can hear them mumbling the same script “mera character zara different hain…yeh story zara hatke hain.” You watch the movie and it’s the same old single layered monotonous, moth eaten tale of a youngster who falls in love with a dewy eyed, dove like ‘dumbo’ who can give away her ‘jaan’ for him. Usually this ‘dumbo’ is the daughter of a Dad who can put Lakshmi Mittal to shame as far as pampering his kiddo is concerned. Generally the girl’s pa hams all the way. Usually what follow are a dozen songs and our protagonist slogs and hams his way into Pa’s ‘dil’ and steals away the ‘dulhaniya’. Pa finally gives into peer and ‘puthri’ pressure and also claims that – tera pa bhi tere liye aisa ladka nahi dhoondh sakta! Oh MY God!! I just disclosed so many Bollywood stories here. But mind you, there can be variations too; you would generally miss those if you are not an avid Indian movie fan. Seriously, Indian film industry should be ashamed of blaming the entire society but it for this debacle. Good movies are seldom produced. No new creativity is ever encouraged. If we don’t experiment how are we going to learn? While Hollywood movies are also about space exploration and terrorism (in the most realistic way); we are still reeling behind dealing with matters pertaining to heart and worse we still don’t mention family planning or safe sex. 50 years of movies and we still allude to matters where eroticism erupts; we also refrain from swearing onscreen.
As if this wasn’t enough, we have a linguistic partisanship in the film industry. Bollywood produces only Hindi movies, yep originally ‘trite’. Hindi is the national language, yep. But why is there always a ‘Punjab’ifying of movies and ‘Gujarati’fying of TV serials?!! We loved Punjab in DDLJ and in movies before it but I find this ‘aping’ by the creative lot increasingly idiotic and unbearably unpleasant. We are tired of our belle’s dash through the grange signifying vivacity and ‘idiosyncrasy’(yeah!). I am sure even girls in Punjab find that dash idiotic. My point is that there are 28 states in India. We claim Bollywood is Indian movies. Why is there only Punjab in Indian movies? Thank you Priyadarshan Sir, for all your efforts in bringing forth the Maharashtrian spirit through movies such as Hera Pheri and Virasat. We have a start there,hurrah!!!
We are a country with 28 states and the number of languages and dialects..... only God knows how many! A layman in Delhi still doesn’t know the difference between a Tamilian and a Keralite. Likewise, a layman in Mumbai doesn’t know the difference between a Haryanvi and a UP guy. For him everyone is a BHAIYAA! Who is to blame for this?? Of course BOLLYWOOD!! If they represent people appropriately, confusions won’t erupt and India would be closer than ever. It is impossible to create a movie with only ‘Indian’ness in it because each of us has a ‘MAA ki tongue’. We are subconsciously closer to that than our national language e.g Yash Chopra infusing Punjabi into everything; all characters are essentially Punjabis as if people from other states never fall in love; Raj Thackerey locking horns for the Marathi Manoos, Amitabh Bacchan contesting elections from Allahabad.
Lets pour some Orissa, some Nagaland, some Mizoram, some Assam, some Haryana, some Jammu &Kashmir…..we have loads of them, right?!! Let’s narrate these stories in Hindi! Wouldn’t that be true merging using language? We need to have movies which are creative in thought, which have some substance …some element of mystery thrown in, atleast a pinch of true science, a spoonful of social message strewn over a stew of emotion and action. You don’t require a mindful of thought, just a handful of proactivity would be enough to start with. We don’t expect a Titanic or Star Trek from you; we would be content with an original idea. There are so many good authors (read book writers) in India. Why can’t we simply adapt a good book into movie?! Yaah yaah I know about Chetan Bhagat’s books being adapted into movies. I sincerely hope that the trend flourishes and is followed religiously.
4 comments:
After reading your blog I went home searched for Kabhi khushi kabhi gum song videos, jeez it was hilarious!! Glorifying almost every relation and the same shava shava!!
well .. good thoughts but i guess they would just be thoughts.. u see we dont't have the viewership need for those kind of movies to flourish.. and as far as chetan's book was concerned it was taken up becasue it had a lot of so called "filmi masala" in it (no doubt it was well writtten)..
Thanks Reshma !
@ Aalok : we assume a lot of things eg Virasat, hulchul, Bhool bhulaiya...none of them have north Indian surnames thank goodness! :) also hera pheri:) for that matter
But thanks for your comments:) they improve me
I like the fact about table spoonfuls of 'Punjabiness' in all movies. Remember "Bhangda paa-lein...aa jaa,aa jaa" from Karan Arjun even with a Rajasthan backdrop or for that matter,"Kinna pyaara tennu rab ne banaaya..." from Raja Hindustani set against a Himachal background?I was of the same opinion since a long time and used to call it the 'Punjabisation' of Bollywood(i even hate this name Bolly whatever). I think this trend will end only with the demise of Subhash Ghai and Yashraj Films.
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